By Sir Peter Cook
Organised into nine elements that spotlight a variety of architectural explanations, akin to ‘Architecture as Theatre’, ‘Stretching the Vocabulary’ and ‘The urban of huge and Small’, the workbook offers inspiring key topics for readers to take their cue from while starting up a layout. explanations disguise a wide-range of labor that epitomise the subject matter. those comprise ancient and Modernist examples, issues saw on the street, paintings by means of present leading edge architects and from Cook’s personal wealthy archive, weaving jointly a wealthy and colourful visible scrapbook of the standard and the architectural, and earlier and present.
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Additional resources for Architecture Workbook: Design through Motive
Set the approach to the theme and the language will throw up its components: whether familiar or unfamiliar,’ they cry. Yet I remain dissatisfied by the orthodoxy of such logic and still crave to break out. For surely, vocabulary is not just a handmaiden but also a force in itself? 053 MOTIVE 2: STRETCHING THE VOCABULARY 054 PETER COOK MOTIVE 3 UNIVERSITY LIFE AND ITS IRONIES previous spread Denys Lasdun, dormitory ‘ziggurats’, University of East Anglia, Norwich, UK, 1968: detail. For many architects, the testing point of their mandate and their beliefs has been the making of a university building.
By the nature of Architecture studies in themselves as well as the art school atmosphere, the experiences of academe were softened. These were overlaid by my next move: to the Architectural Association School of Architecture in London, an institution that celebrated its ‘practitioner not academic’ origins and the anarchic nature of its successes. Housed in a series of elegant late18th-century Georgian houses, it eschewed the presence of an adequate lecture space and almost denied the existence of a back block that consisted of downright brick, glass and concrete rooms of little charm but good light.
Some more consultancies above, then a hotel, then more exclusive consultancies and finally a club. Each group is strung up on a version of vertical kebab sticks and, as with the edible kebab, the distinctive flavour of each group can be enjoyed. So the sets of parts form a related vocabulary. Just as one set is establishing itself (or getting pleased with itself), it is broken and often challenged by an irritant such as a slurp of greenery, a descending sculpturesque element, a cracking open of an edge.